Mya in the City

Not long ago, I had the honor of photographing the staff and executive team at Mya, an SF-based company that helps recruiters optimize their workflow through AI.

Their office is located on Maiden Lane, one of the most picturesque streets in the City. Combine that with the team’s commitment to shooting outdoors, and you have the makings of a great photographic day.

One of my favorite shots is this portrait of a CEO as a young man. The hubbub of City life goes on round him, while he hovers confidently in space. Red accents glow in the background. If I were to retake the photo, I’d drop 2/3 of a stop below ambient and fire an off-camera flash. Pesky shadows under his eyes bother me now.

bay area san francisco san jose corporate photography ceo executive portraits

This particular shot was a lot of fun to make. Primarily because I enjoyed walking the Lane with this executive. We shot the breeze about science, medicine, and the National Geographic. I had good fun just getting to know him. Best of all, I fired my flash.

bay area san francisco corporate photography portraits headshots mya maiden lane

I love this next photo. It took a while to get it just right. But it was worth the effort. Plus, I like things in threes. See the bokeh frame left? See the bindi, nose ring, and earring?

Portrait photography photographer business executive headshot woman outdoors

How did I get this harried professional to relax? You know, the usual—we talked about our wives and family life. Trust me, if you’d been there, you would have smiled, too. Oh, one last thing. Check out the crop. You’re looking at 2.39×1, which isn’t your standard 5×7. I’m a big fan of 2.39×1 and 16×9 because they offer a cinematic lens on the environment, of which the subject is a part.

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See the soft green tree-clouds in the background? I did then, and I do still. I tell you, threes are the best! Plus, I like the curbsides, faint and disappearing.

Portrait of an executive in sf connie

Ditto. Except in this shot, the light had changed dramatically from the prior one, requiring me to stop down from f/1.8 to f/4.5. Background is too sharp for my liking, but it was a trade-off I was willing to make to get the shot.

Portrait of an executive in SF eric

Happily, the executive team was thrilled with the process and results. One of their senior leaders even chimed in here.

Contact me for creative Bay Area corporate and candid family photography.

 

 

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